Jay Sims is a video artist and experimental filmmaker whose work explores memory, perception, and the slow erosion of images over time. Working across single-channel video pieces, film-driven experimental works, and occasional photographic series, his pieces are meditative and often haunting, composed as visual poems that linger in ambiguity and texture.
Drawing from early avant-garde cinema, degraded analog formats, and the aesthetics of still photography, Sims treats the screen less as a stage for narrative than as a surface for visual excavation. Noise, interference, and media decay are not errors in his work but expressive materials, traces of an image in the process of becoming or disappearing.
Sims began making short experimental films as a teenager before gradually shifting toward more meditative, process-driven video work. Over time, his practice has become increasingly focused on mood, tone, and visual memory, a direction that eventually led to the formation of Lumina Obscura, the imprint under which he now produces and presents his work.
Sims continues to explore the threshold where images break down, where clarity dissolves, where meaning becomes unstable, and where time feels suspended. His work is intended less as narrative and more as a place to inhabit: quiet, immersive, and open to interpretation.
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